Presentations
Integrating Audio Branding Into the Marketing Curriculum
David Allan
Core Leadership Skills in Music Production
Jan-Olof Gullö
Do What Works: Using the Scholarship of Teaching and Learning to Improve Student Engagement in Group Projects
Marcus Thomas
Sharing Lyrics in Singalong Groups
Robert Willey
Bonnaroo University
Sarita Stewart & Ken Spring
Dude: Where's Your Phone?
Armen Shaomian and Matt Dunn
Music Entrepreneurship and Access to Social and Cultural Capital: Your Network is Your Net Worth
Hal Weary
Music Industry Digital Marketing Strategy Case Study: Joe Ely
Justin Sinkovich
Career Challenges Musicians Face in the United States
Ying Zhen
Pitch Correction Pedagogy
Brian Warwick
Preparing Community College Students for Internship Success
Denise Grupp-Verbon
All Access: A Backstage Pass to a Collaborative, Undergraduate Music Journal
Keith Hatschek, Michele Gibney, Nicole Wasnock
Tools of the Craft: The Value of Practicums in Arts & Music Management
Mehmet Dede
Legends & Legacy: Musical Tourism in Muscle Shoals
Chris Reali
Jamaican Popular Music in Transition
Kai-Yaneeke Tapper
Noise, Restrictions, and the Live Music Sector
Stan Renard
Music Tourism: What's In the Mix
Storm Gloor
Musician Profit Umbrella
Fabiana Claure
Literature, Lemonade, & DAMN
Jason Lee Guthrie
Measuring Folk: Audience Research Initiative 2018-2019
Michelle Conceison
The Crossover: Evaluating Mainstream Consumption of Urban Music Concerts
Morgan Bryant and Eric Holt
Skip, burn, seek & scratch: Young adults' compact disc usage experiences in 2020
Waleed Rashidi
Building the North American Graduate Music Business Database
Dan Walzer
Summer Camp
Steven Potaczek
Dude: Where's Your Phone?
Armen Shaomian and Matt Dunn
Pitch Correction Pedagogy
Brian Warwick
Legends & Legacy: Musical Tourism in Muscle Shoals
Chris Reali
Building the North American Graduate Music Business Database
Dan Walzer
Integrating Audio Branding Into the Marketing Curriculum
David Allan
Preparing Community College Students for Internship Success
Denise Grupp-Verbon
Musician Profit Umbrella
Fabiana Claure
Music Entrepreneurship and Access to Social and Cultural Capital: Your Network is Your Net Worth
Hal Weary
Core Leadership Skills in Music Production
Jan-Olof Gullö
Literature, Lemonade, & DAMN
Jason Lee Guthrie
Music Industry Digital Marketing Strategy Case Study: Joe Ely
Justin Sinkovich
Jamaican Popular Music in Transition
Kai-Yaneeke Tapper
All Access: A Backstage Pass to a Collaborative, Undergraduate Music Journal
Keith Hatschek, Michele Gibney, Nicole Wasnock
Preparing Global-Ready and Interculturally Competent Graduates for the Music and Entertainment Industries
Kristina Kelman
Do What Works: Using the Scholarship of Teaching and Learning to Improve Student Engagement in Group Projects
Marcus Thomas
Tools of the Craft: The Value of Practicums in Arts & Music Management
Mehmet Dede
Measuring Folk: Audience Research Initiative 2018-2019
Michelle Conceison
The Crossover: Evaluating Mainstream Consumption of Urban Music Concerts
Morgan Bryant and Eric Holt
Sharing Lyrics in Singalong Groups
Robert Willey
Bonnaroo University
Sarita Stewart & Ken Spring
Noise, Restrictions, and the Live Music Sector
Stan Renard
Summer Camp
Steven Potaczek
Music Tourism: What's In the Mix
Storm Gloor
Skip, burn, seek & scratch: Young adults' compact disc usage experiences in 2020
Waleed Rashidi
Career Challenges Musicians Face in the United States
Ying Zhen
